be a linguist – a performance might draw on up to 10 languages (seven levels of Javanese, plus Indonesian, Old Javanese and, more frequently recently, English).write and perform a combination of stand-up and slapstick comedy.be a teacher – dalangs share new wisdom and comments on current events, often through selection of an appropriate story.strike the keprak (rattle) with right foot for setting the mood, generating sound effects, signalling the musicians and for emphasis.sit cross-legged for nine successive hours.be a poet – the poetry is performed in the form of song, using a repertoire of standard melodies, the words of which are composed by the dalang to create a mood.direct the accompanying orchestra – and be able to play all of the most important instruments.use his voice to give each of the figures its proper tone.develop a repertoire of hundreds of stories, and be able to repeat them word for word.recite the many traditional texts (approximately 600) – working dalangs are also expected to be able to script these themselves).graceful, careless, rude) in the proper sequence – many movements are based on dance, and all dalangs learn to dance guide puppets through the prescribed movements (e.g.know all the traditional figures (100–150), their nature and their symbolic importance – most dalangs can also make puppets.He/she has to excel in a great many things. The dalang (puppeteer) is a complete artist. So wayang kulit is the Indonesian term for traditional shadow puppets. The intricately cut and perforated shadow puppets are traditionally made from buffalo hide, and 'kulit' means 'leather' or 'skin'. The Indonesian word 'wayang' is derived from a word meaning 'shadow' or 'ghost'. Journal Entry: Using Freeze-frame Images to Structure the Story Journal Entry: Developing a Character through Flashback Journal Entry: Features of Indonesian Shadow Puppetry Understanding traditional shadow puppetry Drama Senior Secondary Teaching and Learning Guideīack to the 'Jump link' navigation, at the top of the page.Journal Entry: Developing a Character through Flashback.Understanding traditional shadow puppetry.Journal Entry: Features of Indonesian Shadow Puppetry.
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